Namesake

Project Updates and Other Ramblings

Greetings, my friends! It’s time for a few project updates. Some bad news, some good news, maybe…? Idk. So, as Li Shang says, let’s get down to business.

First of my project updates: Thank you! May this classy purple flower convey how awesome you are.

First of all, I want to give a HUGE thank you to everyone who has read Soot and Slipper, double-thanks to those who have recommended it to others, and triple-thanks if you took the time to rate and/or review it on the venue of your choice.

Full disclosure: as a general rule, I don’t read reviews. My mother does, though, and she thinks it’s fun to pull them up and read them aloud to me as I hastily vacate her presence. You, my lovely readers, have been SO NICE.

Thank you. I am overwhelmed and humbled and grateful that you have found value in my work. You are awesome and amazing.

And speaking of value…

(Terrible segue, I know.)

Ebook Pricing

Around the time I released S&S, I had multiple people tell me I need to up my ebook prices (including a couple of commenters on my own blog, haha). I’ve kept my prices low as a courtesy, but those discussions have left me with a lot to ruminate on. After several weeks of wishy-washy contemplation, I’m ready to capitulate. Sort of.

Over the next few months, my ebooks that are 50K words and above will all get a price update to $2.99. For Tournament of RusesThe Legendary Inge, and Namesake, this is no increase at all. The Annals of Altair series, Kingdom of Ruses, and Goldmayne will each go up $2.

I did look into upping the price on the longer books (90K+ words) to $3.99, but price increases statistically lower sales. Basically, I’d be charging more for fewer people to buy, to the benefit of no one. So that’s been shuffled to the side for now.

For the time being, my two fairytale novellas will remain at $0.99. I know I could probably raise their prices as well, but I like them as introductions to my writing, so the low courtesy pricing makes sense to me.

It’s not that big of a difference on most of these, but hopefully the new prices will better signal that yes, I do value my work and I want readers who value it as well. I don’t have an exact timetable for when each price increase will happen (see below for why), so this is your courtesy notice that if you want any of my books at their lower price, grab them sooner rather than later.

And that brings us to…

Project Updates

When I created my imprint (Eulalia Skye Press) a couple years ago, I intended to transfer my earlier titles over. It hasn’t happened for a number of reasons.

Or, well, mostly because of all the paperwork involved. I’m using a different trim size under ESP than with my earlier titles, so transferring over means re-typesetting six books, which also means new covers. And that in turn means updated ebooks, which would ideally correspond with the aforementioned price hikes. In short, it’s a lot of dominoes that have to be lined up and tumbled, and since I’ve already been through the process with these books, I’ve dragged my feet on doing it again.

But I finally learned InDesign (as the print version of Soot and Slipper will attest, yeehaw), and I really ought to use that subscription to its fullest. So.

Annals of Altair Books 1 – 3

The print versions for A Boy Called Hawk and A Rumor of Real Irish Tea are no longer available. They will return shortly. This series gets the least amount of traction in my collected works, so no great loss.

For the ebooks, the price increase is effective immediately. I’ve uploaded new covers and reformatted book files for a nicer reading experience. Because these were my first books published, I’ve also done a medium-light edit (cleared out excess verbiage, cleaned up the writing style, etc.).

The stories are the same. They’re just not quite as wordy.

For those who want a hard copy (Hi, Mom!), the typesetting for the print versions is complete. I just have to upload files, order proofs, and make sure everything is pretty. My self-imposed deadline is the middle of September, for Reasons.

Look for this newly rebranded series on Amazon.

Ruses, Goldmayne, and Inge

I’m not messing with the wordiness of these books. Goldmayne is meant to have a folksy fairytale voice, so my older style of writing still works. The same goes for Inge and the Ruses books, to a lesser degree.

Kingdom of Ruses, however, will get the addition of a bonus short story, “The Prince among Men.” It’s roughly 4K; I wrote it a few years ago to answer that burning question, “But where did Will go?” And then I had nowhere to publish it, because it was too long for a blog post and too short for a standalone novella.

L O L

Since I’m adding a short story to the end of Kingdom, I think I have to dis-enroll it from Kindle Unlimited so that it doesn’t look like I’m trying to game the system for more page-reads. There were shenanigans to that effect a couple years back, as I recall, and I’d rather not chance having a book flagged because previous readers are skipping to the end for some added content. So whenever that update happens, no KU for a few months. (Sorry, my lovely KU readers. It will return eventually.)

These four books will update in the following order (theoretically): Goldmayne, Inge, Kingdom, Tournament.

Namesake

And now we arrive at the elephant in the room. “Wasn’t there supposed to be a sequel to Namesake, like, a year ago?” Why, yes. Yes there was. And then it turned into two sequels and I threw a creative tantrum.

I have a hard-and-fast rule of not publishing a book that needs a sequel written. Namesake can stand on its own, so I waffled over whether even to write the follow-up. When it split into two, that waffling doubled. I am still working on them, but there’s no timetable for completion.

Just, when you see Goddess (Book 2) finally make its appearance, you can rest assured that Eidolon (Book 3) will be close on its heels. I won’t leave you hanging from that cliff for long. Pinky promise.

Final Thoughts

A disproportionate amount of my writerly life has been me feeling like I fall short of other people’s expectations. I lack follow-through, I disappear for weeks or months on end, I hoard creative control, and I happily nest down in my comfortable corner of obscurity. The truth is, I only ever wanted to write. It was never my dream to publish a book.

So here I am, ten titles down the road and wondering how the heck this all happened. It has been a long, meandering path, and there is still so much meandering yet to come.

Long story short, thanks for joining me on this journey. Life is full of surprises, y’know?

2017 State of Kate: Business and Other Musings

It’s that time of year again, when I rehash the business of being. (Actually I’m a month later than last year, but who’s counting? No one, that’s who.)

Let’s get to it, shall we?

First Quarter: Ends and Beginnings

January 1, 2017 brought an end to my stint as Executive Secretary for the American Night Writers Association (ANWA). As much as I have missed working alongside an amazing Board of Directors and Executive Committee, I happily passed my duties off to my successor and started the year fresh.

Also in January, my critique group founded a blog, Novel Three. It’s supposed to update weekly. We get at least 2-3 posts a month for sure.

In February (-ish), ANWA put out a call for class proposals for the annual conference in September, and I submitted one for typesetting, firmly believing it would pass under the radar. It didn’t. They invited me to teach, and I spent the next six months convinced that someone somewhere had made a horrible mistake.

(Me. I made the horrible mistake. Haha.)

I finished the draft for Namesake, also in February, and wrote a novella, Brine and Bone, in March.

Second Quarter: Business Takes Over

I created an imprint, Eulalia Skye Press. This process included days upon days of brainstorming a name (it’s amazing how many odd combos are already in use). I registered it with the State of Arizona, bought up the corresponding domain name, and saddled myself with a block of ISBNs.

Looks like I’m in this publishing business for the long haul. Theoretically.

Third Quarter: Masquerading as a Professional

Typesetting business, yay!

Some font samples for your viewing pleasure. Also, a graphic I had to cut.

In July, I nailed down my class presentation info, but it was 40 minutes too long. Over the next two months, I whittled away everything but the most essential information.

I took Namesake through the publishing process, with an August release. It wasn’t all that different than what I’ve done with previous books, except there were more forms and registrations so that it looked all official.

(I probably did something wrong. Haven’t discovered it yet, though, so.)

September was ANWA Conference. A dear friend from Florida attended, which marked our first IRL meeting. (And neither of us ended up catfished, yo.) This was my fourth year in attendance, so a lot of familiar faces. Even so, I was grateful for my little nest of close friends there.

I wrote a whole blog article about my teaching experience, but I published an Average Everygirl post the following week instead. Long story short, my class attendees were wonderful. They didn’t scold me for speaking a mile a minute to get through all my info. I didn’t die. Hooray!

Fourth Quarter: Frolicking in Creative Chaos

I started drafting a sequel to Namesake. The working title is Eidolon. You can read an excerpt here, if you’re interested.

Serious sycamore business in the UK

Sycamore Gap, located along Hadrian’s Wall

I also went to the UK again, and again didn’t die on a British Highway. But I made my traveling companion (the lovely Rachel Collett) drive. We visited Haworth (home of the Brontës), hiked to Sycamore Gap, tromped through Edinburgh, and stopped off in Gretna Green. 10/10, would go again.

The first two weeks of November, I worked on NaNoWriMo. I promised myself that I would keep writing once I hit the 50K mark, but the day after I got it, my brain was like, “Nope. We done.”

(I’ve written since, but mostly on Eidolon rather than the NaNo project. Oh well.)

Brine and Bone lingers in publication limbo. The book is typeset, but I don’t have a cover or a blurb. I’ve considered outsourcing the former, but none of the portfolio styles or pre-mades I’ve come across seem to fit. I’m normally meh about covers, but I keep getting scolded for phoning things in on that front. So now I’m gun-shy. Yay.

The blurb is just… I don’t know. It’s a retelling of “The Little Mermaid,” you guys. It shouldn’t be difficult, but everything I brainstorm is so obvious. Like, “Yeah, yeah, the prince washes up on the shore. Some girl finds him. Yadda yadda yadda.”

If I had gone full horror-genre like I was so sorely tempted, it might be different. But I don’t write horror, and I couldn’t venture into those waters without bungling it.

So it might be 2018 before that one gets its day in the spotlight. Or 2019. Or never.

(After I die, they’re going to find dozens of unpublished manuscripts under my bed, and I’ll be up in heaven laughing with my new bff Emily Dickinson. It’ll be lit.)

Looking Forward: 2018 and Beyond

I’m dedicating December to the business of creative organization. The weekly critique group keeps me writing regularly, so I should be able to knock out something in the coming year. But I’m slipping back into my non-goals state of mind, so that’s my main obstacle going forward.

My own worst enemy, as usual. Bring it, 2018.

And Suddenly, a Book Release: Namesake

I know I’m supposed to do something grandiose for a book release, but my anxiety is already through the roof. So, I’ve pulled the trigger and I’m moving on. Namesake is now available on Amazon.com.

This is your courtesy notice, haha.

Namesake book release

The Book Release Saga: What Took So Long?

One of the many issues that I battled last year involved determining where my writing was going and whether it was time to throw in the towel and move on. I love to write, but I’m not a responsible author.

(See the above casual book release for a reference point to that statement.)

The publishing world is flooded with hard-working people who seem to have clear goals and ambitions. I.e., the exact opposite of me. It’s easy, on reading their experiences or advice, to feel like I have no clue what I’m doing, that I’m only pretending, that I don’t belong in this industry, that I’m doing everything wrong, and that everything is futile anyway.

And when that happens, my anxiety disorder flares and claws its way up my throat from my stomach, and I unplug from life for a couple of days. NBD.

In late April, I went to lunch with a dear friend, Tamara Passey, who graciously discussed her first-hand experience as an indie author. During our conversation, she asked me what my goals were.

And I confessed that I didn’t have any, other than to write really, ridiculously well. (I’m working on it, guys. I totally am.)

Among other encouragements, Tamara gave me permission to make temporal goals. And she provided me with the framework for how to set up an imprint.

So I did.

And that’s what took so long.

Eulalia Skye Press

Eulalia Skye logoYou might notice, going forward, this handy little sigil in or on my books. I may or may not start switching titles over. I may or may not open those titles up for wider distribution.

I may or may not commit to half a dozen things, but here’s what I have done:

  1. I registered an imprint. It took me about a month and a ton of brainstorming to settle on a name. I love that it is oddly quirky and that it plays with fantasy elements while still having a sense of grounded-ness to it. Somehow, random as “Eulalia Skye” is, it fits my writing.
  2. I bought a block of ISBNs. This commits me to this industry for a few years yet, mostly because it wasn’t a block of 10. With seven books out, I’d blow through those without batting an eyelash. (Yes, I have 100 ISBNs. I’ve used 2 so far for Namesake. Only 98 more to go. Breathe, Kate.)
  3. I registered with the Library of Congress. Namesake has an LCCN. It’s listed on the print-edition copyright page and everything.

There have been a million other tiny processes and procedures. Each has been a personal battle, because in many ways I feel like I’m stepping down a path blindfolded.

But I’m doing what I can to move forward. One… terrifying… step… at a time. And, theoretically, the next book shouldn’t take nearly as long on the publishing side.

(Theoretically. Ha.)

Last Hurrah

If you’ve read this far, thank you. I have been blessed by so many who have given encouragement when they didn’t even realize I needed it. (And many of whom may not have known they were giving it.)

You guys are awesome and inspirational. When I grow up, I wanna be like you.

Cover Reveal and Summary: Namesake

At long last, a cover reveal!

But first!

Good things come to those who wait, but better things come to those who work. I have spent the past few months in what I affectionately call “cover hell.” Consequently, I’ve avoided places like the internet in general and my own website in particular where I might have to account to others for my dealings. I here apologize. It is a character flaw that I’m likely to embrace to my grave.

And now, to the eye candy!

Cover Reveal:

cover reveal: Namesake by Kate Stradling

 

Summary: Namesake by Kate Stradling

“Who needs magic in an age of electricity? I can flip the switch on the wall with the best of them.”

Anjeni Sigourna bears the name of a legendary goddess, but her resemblance to that honored figure ends there. Eighteen and jaded, she has cultivated sarcasm instead of the elusive magic everyone expects her to possess. Such mystic power lacks purpose in her modern world.

But when an adverse encounter with the Eternity Gate lands her in an alien realm, magic marks the boundary between life and certain death. Anjeni alone holds the keys to saving an ancient people from a savage enemy. Her bitterness notwithstanding, now she must create a legend instead of living in its shadow.

Best of Intentions

“Cover hell” consisted of a multitude of ideas with middling-to-poor execution. None of them made it past the drafting stage until I stumbled on this one, and then it went through four different builds (including a first, quick run in PSE where the program shut down when I tried to print, and I hadn’t saved so I lost everything, hahaha). A last-minute rework on that epic fireball sealed the deal this afternoon. I am in love.

(For now.)

Namesake is schedule for release in August, providing everything goes well. And by that, I mean my files are uploaded and under review. If the physical proof looks good, I’ll hit “Approve” and let you all know.

In the meantime, you can read excerpts from the book over on my critique group’s site, Novel Three: here and here.

Stay tuned!

The Official Un-obligatory Project Update

2017 project title plate: Namesake

I finally finished my experimental manuscript. I’ve battled this beast for over a year, and my brain wanted it done a long time ago, so the last stretch took a lot out of me. I typed “The End” on April 4, exported the text to Word, and closed the Scrivener project file.

And I haven’t opened it again.

Gleefully.

I’ve learned enough of my writing patterns to expect a creative depression to hit me after I finish a draft. The focus required in that end-game sequence of tying all my plot elements together really jacks up my everyday life. I forget how to live outside of my craft, and when the project closes and I have to come back into the real world, I experience a loss of purpose and become despondent for a spell.

Not so this time around.

The Boondoggle Project

When I started into Namesake, I didn’t think much of it. I had jotted the idea down almost a decade ago. I even sketched out some scenes, gave some characters names, and outlined a couple of major events. But I did it almost flippantly. The concept seemed too predictable and the conflicts too trite, so I hadn’t considered further development a good use of my time.

I can’t remember why I picked it up again. I think the throes of real-life drama made me want something brain-candy-ish to experiment with. It was an escape. I changed the POV from 3rd Limited Omniscient to 1st Lyric Present and made my protagonist a sarcastic little punk. I wasn’t going to do anything with it, so why shouldn’t I play?

The plot merited a novella, a quick there-and-back-again adventure where my bitter protag could get some perspective knocked into her. For kicks, and because I wasn’t working on anything serious, I brought it to my critique group.

And that’s where I ran into trouble.

The Questionable Joys of Critique

Critique groups are awesome. They make you accountable for your work and help you refine your craft. And sometimes—sometimes—when you phone in a brain-candy draft, they demand that you get your act together and develop it properly.

I didn’t want to. Rachel and Jill insisted. When I told them last summer that I was five chapters away from the end, they looked at each other in alarm and said, “No you’re not.”

I balked. They lectured. I revised characters and scenes and villains and plot points and lived in dread of that weekly meeting.

(Sometimes accountability really bites, y’know?)

But the process refined me. I had to take my craft seriously instead of flouncing through self-indulgent mediocrity.

And the end-result? This story is wayyyyy better than I ever expected it to be. Color me pleasantly surprised.

 The Moral

My grandfather used to say, “If it’s worth doing, it’s worth doing right,” but in the literary world, “right” can be subjective. The road from Mediocre to Fantabulous requires slogging through a lot of hard work. It definitely helps to have course checks along the way.

(And yes, “Mediocre” and “Fantabulous” are both subjective as well.)

Further Reading

Curious about Namesake? I’ve posted a couple of excerpts over on my critique group’s site, Novel Three:

From Chapter 1, here.

From Chapter 6, here.

Look for the book sometime this summer. If I get my act together, I should announce more specific dates soon.