Brine and Bone

Novella Release: Brine and Bone

So. My novella, Brine and Bone, is now available on Amazon.

Here are the links: print and eBook.

I hit “publish” at 12:01 a.m. yesterday and then went to bed. They say it can take 72 hours for the pages to appear in Amazon’s marketplace, but they were up by 8:00 a.m. However, the product image was missing, and I liked the cover enough that I wanted it there before I shared any links.

By the time it showed up, I had moved on to other things.

Which is why this announcement comes a day late.

(For shame, I know. I’ll go sit in the corner and think about my actions.)

Brine and Bone novella release announcement

A Novella Conundrum

Every time I release one of my monsters into the wild, I fight a raging temptation to make excuses for it. Usually I resist. Today, I will cave on two points:

  1. It’s only a novella. (Picture Patsy from Monty Python and the Holy Grail muttering that line.) The novella is a lovely medium, but it’s small and requires narrative constraint, by design.
  2. I’m playing in someone else’s sandbox. The story is pinned pretty closely to the Andersen fairy tale. Of course I interpret it through my own lens, but I also tried to honor that original source. (In other words, if you only know the Disney retelling, don’t @ me with complaints, lol.)

As a side note, Amazon’s spellcheck tool apparently dislikes words that rhyme with “bitter.” It flagged me for the variants of “chitter,” “flitter,” and “jitter” that occur within this book. I had a brief existential crisis before confirming that these were, in fact, real words.

And then I had a brief introspection on why my narrative might have gravitated so often toward *itter words. (Pretty sure variants of “glitter” and “litter” are somewhere in this book as well.) The jury’s still out. I will strive not to fall into a phonetic rut on future projects, though.

And that is all. Go forth, my beauties!

Summary and Cover Reveal: Brine and Bone

Merry Christmas, everyone! ‘Tis the season for a cover reveal!

Yes, miracle of all miracles, I have a cover and summary for my Little Mermaid novella, Brine and Bone. Without further ado…

Summary:

TWO WORLDS COLLIDE

Magdalena of Ondile adores the crown prince of Corenden, but she’d sooner die than admit it. Ejected from the royal court, she spends her days at a sage’s seminary, where her sparkling memories and destructive empathy magic prey upon her.

Until the ocean rips her charming prince into its depths.

When Magdalena discovers him washed ashore, her rescue-by-happenstance draws her back to the glittering palace and its stifling rules. But Prince Finnian’s miraculous return attracts more than the nobility of the court. The eerie creature that spared his life would gladly reclaim it, even if staking that claim requires a sacrifice of flesh and endless torment.

Cover Reveal:

Not sure why, but the .jpg looks a lot more blue-saturated here than in its preview file. There are some lovely silvery shades in the water ripples, but you cannot see them. Oh well.


Brine and Bone cover reveal

Release Date:

I told the Library of Congress that I was publishing in January 2018. They say to request LCCNs early, and I feel pressured not to let them know that they are the last item on my list of Publishing Things To Do. So even though they’ve always responded within 1-2 days, I push my deadlines back a month or more when communicating with them.

(Contacting the LOC designates true commitment. I like to keep open my option to abandon ship as long as I possibly can. But at least I have a deadline now, haha.)

It’ll probably be later in the month, because I still need to get my proof of the paperback and I refuse to pay for expedited shipping. I am toying with setting up a pre-order for the eBook, but as I’ve never done that before, it’s a toss-up whether I’ll follow through.

(Wishy-washy nature, thy name is Kate.)

Anyway, because this is a novella (roughly ~35K words), the eBook price will be $0.99. The paperback will probably be $7.99, and I think I can do a match-book to make the eBook free with purchase, for anyone who might want both.

(I know. Promises, promises.)

Long story short, I’m ready to have this thing off my projects list so I can move on to other more important items.

In the meantime, if you want to read excerpts, they are here and here.

And a Happy New Year to all!

2017 State of Kate: Business and Other Musings

It’s that time of year again, when I rehash the business of being. (Actually I’m a month later than last year, but who’s counting? No one, that’s who.)

Let’s get to it, shall we?

First Quarter: Ends and Beginnings

January 1, 2017 brought an end to my stint as Executive Secretary for the American Night Writers Association (ANWA). As much as I have missed working alongside an amazing Board of Directors and Executive Committee, I happily passed my duties off to my successor and started the year fresh.

Also in January, my critique group founded a blog, Novel Three. It’s supposed to update weekly. We get at least 2-3 posts a month for sure.

In February (-ish), ANWA put out a call for class proposals for the annual conference in September, and I submitted one for typesetting, firmly believing it would pass under the radar. It didn’t. They invited me to teach, and I spent the next six months convinced that someone somewhere had made a horrible mistake.

(Me. I made the horrible mistake. Haha.)

I finished the draft for Namesake, also in February, and wrote a novella, Brine and Bone, in March.

Second Quarter: Business Takes Over

I created an imprint, Eulalia Skye Press. This process included days upon days of brainstorming a name (it’s amazing how many odd combos are already in use). I registered it with the State of Arizona, bought up the corresponding domain name, and saddled myself with a block of ISBNs.

Looks like I’m in this publishing business for the long haul. Theoretically.

Third Quarter: Masquerading as a Professional

Typesetting business, yay!

Some font samples for your viewing pleasure. Also, a graphic I had to cut.

In July, I nailed down my class presentation info, but it was 40 minutes too long. Over the next two months, I whittled away everything but the most essential information.

I took Namesake through the publishing process, with an August release. It wasn’t all that different than what I’ve done with previous books, except there were more forms and registrations so that it looked all official.

(I probably did something wrong. Haven’t discovered it yet, though, so.)

September was ANWA Conference. A dear friend from Florida attended, which marked our first IRL meeting. (And neither of us ended up catfished, yo.) This was my fourth year in attendance, so a lot of familiar faces. Even so, I was grateful for my little nest of close friends there.

I wrote a whole blog article about my teaching experience, but I published an Average Everygirl post the following week instead. Long story short, my class attendees were wonderful. They didn’t scold me for speaking a mile a minute to get through all my info. I didn’t die. Hooray!

Fourth Quarter: Frolicking in Creative Chaos

I started drafting a sequel to Namesake. The working title is Eidolon. You can read an excerpt here, if you’re interested.

Serious sycamore business in the UK

Sycamore Gap, located along Hadrian’s Wall

I also went to the UK again, and again didn’t die on a British Highway. But I made my traveling companion (the lovely Rachel Collett) drive. We visited Haworth (home of the Brontës), hiked to Sycamore Gap, tromped through Edinburgh, and stopped off in Gretna Green. 10/10, would go again.

The first two weeks of November, I worked on NaNoWriMo. I promised myself that I would keep writing once I hit the 50K mark, but the day after I got it, my brain was like, “Nope. We done.”

(I’ve written since, but mostly on Eidolon rather than the NaNo project. Oh well.)

Brine and Bone lingers in publication limbo. The book is typeset, but I don’t have a cover or a blurb. I’ve considered outsourcing the former, but none of the portfolio styles or pre-mades I’ve come across seem to fit. I’m normally meh about covers, but I keep getting scolded for phoning things in on that front. So now I’m gun-shy. Yay.

The blurb is just… I don’t know. It’s a retelling of “The Little Mermaid,” you guys. It shouldn’t be difficult, but everything I brainstorm is so obvious. Like, “Yeah, yeah, the prince washes up on the shore. Some girl finds him. Yadda yadda yadda.”

If I had gone full horror-genre like I was so sorely tempted, it might be different. But I don’t write horror, and I couldn’t venture into those waters without bungling it.

So it might be 2018 before that one gets its day in the spotlight. Or 2019. Or never.

(After I die, they’re going to find dozens of unpublished manuscripts under my bed, and I’ll be up in heaven laughing with my new bff Emily Dickinson. It’ll be lit.)

Looking Forward: 2018 and Beyond

I’m dedicating December to the business of creative organization. The weekly critique group keeps me writing regularly, so I should be able to knock out something in the coming year. But I’m slipping back into my non-goals state of mind, so that’s my main obstacle going forward.

My own worst enemy, as usual. Bring it, 2018.